Our talented sound mixer, Martin, was able to beautifully balance our music, ambient sound, and dialogue to create a rich and seamless tapestry of sound, while minimizing prolbems with our low-budget location sound. Savvas Paritsis, who edited the film with Bill Henry, provided elegant solutions to seemingly unsolvable music editing issues and as usual, was our go-to guy to resolve all the last-mimute technical glitches.

We all worked so hard and such long hours, we passed around some sort of lethal cold, which left us drinking chamomile tea, popping zinc lozenges and eating oranges (truth be told, Sarah brought in homemade brownies to celebrate the final mix!) and loudly blowing our noses. Alas, Sarah's mom came up from Pennsylvania to babysit for her little one, and she too caught the cold, it turned into pneulmonia, and she spent a scary 8 days in the hospital.

Thank heavens she's fine now.

Indie filmmaking - not for the faint-hearted.

4 May 2005 - Schedule to finish
Present - through week of May 16: Director will finish reviewing and choosing the music Agent Jackson has selected for film.

Week of May 23 - early June: Create original score and finish picture edit; record ADR lines.

Mid - late June: Sound edit and mix.

Late June - late July (targeting a July 22nd finish):
Color correction, credits, etc.; HD finish for festival screenings.

19 March 2005

We are close to picture lock, and our talented music supervisors, Agent Jackson, have begun working on original compositions and the soundtrack. Check out the Agent Jackson website at: http://www.agentjackson.com.

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